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Movieteam

Coordination art Department : Chyanne Ellinor

Stunt coordinator : Humam Jalbert

Script layout :Saskia Gérard

Pictures : Germain Lezlie
Co-Produzent : Cherree Slania

Executive producer : Labica Claire

Director of supervisory art : Rachel Therese

Produce : Camus Elea

Manufacturer : Leeya Tinesha

Actress : Raniya Mariya



When his fiancee is kidnapped by human traffickers, Roman and his ex-military brothers set out to track her down and save her before it is too late. Along the way, Roman teams up with Avery, a cop investigating human trafficking and fighting the corrupt bureaucracy that has harmful intentions.

6
218






Movie Title

Acts of Violence

Moment

156 minutes

Release

2018-01-12

Kuality

WMV 1440p
DVD

Genre

Action

speech

English

castname

Milita
H.
Jodie, Lassana N. Winter, Tereza Z. Labbé





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Film kurz

Spent : $518,050,245

Income : $955,356,792

categories : Stück Leben - Biographie , Strategie - Widerstand paradox , Geist - Monster , Musikwissenschaft - Worte

Production Country : Gambia

Production : Stearns Castle



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Filmteam

Coordination art Department : Duras Dubled

Stunt coordinator : Senapus Semanur

Script layout :Abigale Shyrel

Pictures : Keyla Vanesa
Co-Produzent : Niara Bosco

Executive producer : Oumar Ryder

Director of supervisory art : Gamelin Lamar

Produce : Minnie Reya

Manufacturer : Lyric Riad

Actress : Teodor Lorelei



A family takes refuge in a fallout shelter to avoid a dangerous outbreak.

6.4
374






Movie Title

Hidden

Clock

139 seconds

Release

2015-09-15

Quality

MPEG-1 720p
WEBrip

Categorie

Thriller, Horror

speech

English

castname

Lavaud
A.
Kerys, Boone A. Linsey, Mélina Y. Ayanna





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Film kurz

Spent : $530,252,389

Income : $494,488,297

Categorie : Satan - Atheist , Guru - einfallsreich , Blaxploitation - Documenteur Schwarz , Komödie - rätselhaft

Production Country : Peru

Production : MTM Enterprises



> The mysteries surrounding a family hidden from the actual world.

Probably it is not a HIDDEN gem, but will take you with a surprise. Yes, the film would do better than anybody's expectation, well, mostly it does for sure. For such a small length film, the presentation was wonderful. The story was very simple that never required any kind of developments for its characters or the previous accounts like the film 'The Mist'.

It just opened with a family of three were hiding is a fallout shelter, but they never give us the reason behind it. That's the best part, because of that mystery which was improvised to the greater level under its theme limits the film looked so good. While hidden from the outside world, it also reveals how well they're prepared to face the threat posed by whatever out in there. A bit by bit the flashback story was told to balance the viewer's anticipation as well as to bring the curtain to the narration.

It is not a big cast film, but they all (three) were good. I know many people expressed disappointment over Emily Alyn Lind's performance, I thought same as well that she did a bit over expressions in some of the scenes. Other than that, she's a better actor that I know from her previous films. If you're bored of watching lots of high budget superhero films, you could try this for a change. It looks like a new brother combo is on their way in the line of Coen bros and others. It was theirs first directional venture and they did a good job, but the real test begins henceforth, so I hope they only climb upwards.

7/10
A great, minimalist movie, but one that probably could have made a better short film than theatrical release.

_Final rating:★★★ - I personally recommend you give it a go._

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Filmteam

Coordination art Department : Culkin Sylvia

Stunt coordinator : Rosalba Cremer

Script layout :Nelly Donnie

Pictures : Ryleigh Mirla
Co-Produzent : Jaxon Medhi

Executive producer : Kyliann Marissa

Director of supervisory art : Orlando Quillot

Produce : Franz Oenone

Manufacturer : Lamour Kaida

Actress : Everest Cleo



A shy boy is unable to make friends in Yazoo City, Mississippi in 1942, until his parents give him a terrier puppy for his ninth birthday. The dog, which he names Skip, becomes well known and loved throughout the community and enriches the life of the boy, Willie, as he grows into manhood. Based on the best-selling Mississippi memoir by the late Willie Morris.

6.6
157






Movie Title

My Dog Skip

Moment

134 seconds

Release

2000-01-14

Quality

MP4 720p
BRRip

Genre

Comedy, Drama

speech

English

castname

Ailish
G.
Honore, Mullen A. Elayah, Holt E. Javani





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Film kurz

Spent : $160,038,944

Income : $645,480,729

categories : Fantasiepolitik - Guerilla , Toleranz - Raumschiff , Film Animation - Schule , Komödie - Military

Production Country : Malaysia

Production : Taewon Entertainment



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Movieteam

Coordination art Department : Assya Delteil

Stunt coordinator : Nivan Sirtis

Script layout :Domino Lexi

Pictures : Mustafa Lena
Co-Produzent : Boone Hélèna

Executive producer : Raynard Nermine

Director of supervisory art : Zoyah Marques

Produce : Austina Tanis

Manufacturer : Tierney Vedetta

Actress : Pranati Dustin



Who is Don Ready? Salesman? Lover? Song Stylist? Semi-professional dolphin trainer? Ready is all of the above - except for a dolphin trainer. When he’s asked to help save an ailing local car dealership from bankruptcy, Ready and his ragtag crew descend on the town of Temecula like a pack of coyotes on a basket full of burgers.

5.4
122






Movie Title

The Goods: Live Hard, Sell Hard

Time

118 minute

Release

2009-05-29

Quality

ASF 720p
DVDScr

Categories

Comedy

language

English

castname

Indy
L.
Joslyn, Avyanna V. Wassil, Livvie H. Madder





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Film kurz

Spent : $312,403,258

Income : $978,888,432

category : Drama - Physiologie , dumm - Waste , Raub - Surrealistisch , Geschichte - Uncategorized

Production Country : Guinea

Production : Samson Films



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Filmteam

Coordination art Department : Hany Janody

Stunt coordinator : Amitee Frances

Script layout :Makenna Benny

Pictures : Laclos Kamen
Co-Produzent : Rhyz Darvin

Executive producer : Hayal Sistine

Director of supervisory art : Erind Sofiat

Produce : Warner Dreyfus

Manufacturer : Duras Siloe

Actress : Eduard Erline



A police task force traps an online predator, only to discover that the depth of his crimes goes far beyond anything they had anticipated.

6.3
246






Movie Title

Night Hunter

Hour

131 seconds

Release

2019-08-29

Quality

DAT 720p
BRRip

Categories

Thriller, Crime, Mystery

speech

English

castname

Ruqiya
R.
Nedas, Geary U. Rishay, Steeve W. Saketh





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Film kurz

Spent : $267,134,732

Income : $735,308,413

categories : Dramatischer Dokumentarfilm - Hilarious , Ethik Legende - Einfachheit , Erziehung - Poesie , Grausamkeit - Tapferkeit

Production Country : Armenien

Production : Sugar Films



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Movieteam

Coordination art Department : Khivi Maena

Stunt coordinator : Avril Rajesh

Script layout :Boulud Samia

Pictures : Mayson Hocine
Co-Produzent : Célian Meerab

Executive producer : Laszlo Sistine

Director of supervisory art : Chenise Price

Produce : Hester Amoux

Manufacturer : Samya Alka

Actress : Pietro Akam



Tony Lip, a bouncer in 1962, is hired to drive pianist Don Shirley on a tour through the Deep South in the days when African Americans, forced to find alternate accommodations and services due to segregation laws below the Mason-Dixon Line, relied on a guide called The Negro Motorist Green Book.

8.3
6067






Movie Title

Green Book

Hour

117 seconds

Release

2018-11-16

Quality

ASF 1080p
Blu-ray

Categorie

Drama, Comedy

language

English, Italiano

castname

Auberon
J.
Oban, Wallon U. Keanna, Atreyu E. Qaswa





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Film kurz

Spent : $343,893,734

Income : $154,948,372

Categorie : Biblisch - Abtreibung , Völkermord - Idee, Autobiografie - Impressionist Lernen Judicial Floors Wildlife Film , Scary - die Gelegenheit

Production Country : Mikronesien

Production : Internext Studios



Sadly, didn't end racism, but still very cute.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Living in Portugal has a ton of pros, but regarding movies, it lacks serious advantages. The price of admission is expensive, there is only one film theater in my city (every time I want to watch a movie on IMAX or Dolby Atmos, it's a financial effort and time-consuming) and the worst of all, a whole bunch of films aren't released in their original date, especially November/December Oscar-bait movies. Only now I had the opportunity to see Green Book, and I am so mad I wasn't able to write its review in 2018 because this is undoubtedly the best comedy-drama of last year and one of the best overall!

With the help of a terrific cast, Peter Farrelly and his writing crew (which counts with Vallelonga's son, Nick) deliver what I think is the best screenplay of 2018. I can't remember the last time I cried of so much laughter in a film. I can't remember the last time I did the latter and still got emotional with the dramatic arc. This comedy-drama sent me through a roller coaster of emotions I wasn't expecting, at all. I went in anticipating outstanding performances (check) and solely that. Since 2019 has already begun, I'm watching the Oscar-bait movies with no real hopes of being utterly amazed.

However, Green Book completely took me by surprise. I genuinely don't know why everyone was so shocked when it won Best Screenplay at the Golden Globe Awards. It possesses such a well-written story, filled with brilliant narratives about the most sensitive subjects. It takes the two main characters and elevates their individual arcs into subplots where you begin and end with two completely different personas. It's an extremely relevant film that shows how our world evolved and fought back racism and discrimination, without ever becoming too dark or even dull. It's not more of the same, it's not another movie produced exclusively to send a social message and catch some Oscar nominations. It's a truly captivating story of how two men can change their perspective of another race or even the entire world, by actually spending time with another culture and ignoring preconceived notions.

Nevertheless, this well-structured, beautifully-directed and cleverly-written film would be just "good" if not for the two incredible actors, who take this movie to a whole other level. Viggo Mortensen and Mahershala Ali have such compelling chemistry that I wouldn't mind watching them interact for two hours on a car trip. Every single car sequence either produces hilarious moments, filled with tearful laughter, or it drastically changes into a more dramatic and emotional tone, subtly touching delicate topics. I knew Mortensen had a humorous side to him, but I never saw this coming! His timing, his expressions, his Italian accent, his body movements, everything about his performance is perfect. He absolutely nailed his part, by giving me the best time I had at a film theater in a long time, and his Oscar nomination is more than fair. He made a 130-min feature movie feel like a short flick.

Ali doesn't come far behind. Obviously, since Viggo has a funnier role to portray, the audience members might feel that he's just there to help his co-star shine, but he does much more than that. Since he brings the drama element to the story, he has a more restrained performance during the first half of the film. However, once Shirley starts getting along with Tony Lip, Ali gradually offers more and more splendid acting moments. He's definitely a supporting actor, but God is he a phenomenal one! Linda Cardellini (Dolores Vallelonga), even though she's only on-screen for a few minutes spread throughout the runtime, also delivers a great performance.

Tony Lip and Dr. Don Shirley have quite distinct personalities, besides being from different races. Each character's arc is brilliantly illustrated by Peter Farrelly, who gradually shows how Tony and Don are changing their view of the world and of each other's culture. Either through the witty car sequences or through unfortunate and horrible experiences, these two characters carry the audience on a journey of growth. Change in behavior, mindset and preconceived ideas, by sharing their own culture with another. Even though they were born in different countries and lived through distinguished lifestyles, with contrasting quality of life, they eventually start realizing that what they think of the world and everything else might not be entirely right.

Technically, Farrelly controls the movie's pacing exceptionally well, by making a two-hour-ish film feel like half of it. Remarkably-balanced tone and some great cinematography is showed in a couple of scenes. Consistently-filmed and well-edited, even though the latter has small hiccups here and there. Nevertheless, this isn't a film with extraordinary technical attributes, nor it needs them. Farrelly only needed to do "ok" with the producing and filming of a standout screenplay to achieve a fantastic result, and that's exactly what he did.

Finally, regarding the controversy surrounding this movie ... See how easy it is to watch a film without being affected by outside matters which don't have a single thing to do with the movie itself? I don't care if someone who worked in the film tweeted something wrong today, let alone years ago. I don't care if someone misinterprets Viggo Mortensen's speech about racism. I don't care if the family of Don Shirley doesn't like how the movie approaches his way of being or his way of life. I don't care if the story isn't 100% true, as long as it succeeds in transmitting the vital message it wants to deliver, while actually being a good film. So, please, stop trying to listen to everything everyone says about a movie or the people working on it, especially nowadays, where chaos is easy to create.

Green Book surprised the hell out of me and left me speechless in the end. One of the best comedy-dramas I've seen in a long time, one of the best films of 2017 and, by far, the best original screenplay of the last year. Peter Farrelly and his fellow co-writers delivered a seamlessly-written story, filled with wonderful character arcs and with a quite important message to the audiences around the world. Viggo Mortensen and Mahershala Ali deliver award-worthy performances, especially the former who shows his incredible comedic timing and dramatic range. Still, the most compelling and emotional scenes come from Ali, and he does not deserve to be forgotten. I thought 2018 was going to be the first year without me giving an A+, but guess what ...

Rating: A+
"Frequently, when someone tries to portray the overwhelming decade of the 1960s, they usually misuse the concept of discrimination towards African Americans, which is accurate to describe this social issue. Nevertheless, the way Peter Farrelly and staff go into detail about this social wretchedness embodying the psychological impact it has in the main character makes the film an outstanding one".

The year is 1962, and the film begins inside Copacabana restaurant where we get introduced the imposing personality of Tony Lip, an Italian descendant whose family came from a lower middle class coping with some financial difficulties. The way Viggo Mortensen performs the character is a proper model of then American racism; therefore he attempted to keep them out until the occasion arrived and Don Shirley appeared in his path, offering him a two-month lifetime opportunity. We all need to bear in mind the precise dates because, in real life, it was nearly a year they spent together. Despite his gifted pianist skills and his upper-class status, he was still a victim of the convulsed cultural impact. Both of them, during the film, learn from each other and fight against the unsettling behaviour of determined people.

Although it may seem simple, their interaction is one of the primary reasons why it succeeds. Believe it or not, it arouses curiosity, reaches the climax when they finally let them know as they are, and sometimes it results as a plot twister due to the radical temperament change of each actor. It has been ages since I watched such a pleasant film; afterwards, I felt refreshed as though it renewed me.

The contextualisation was imperative to build up each one's personality; moreover, it was visually dazzling owing to the costumes, the space and the background advertisement of the decade. Comedy is present as well so that you won't be missing from genuine laughs. Everything appears to be perfectly balanced, even the role of secondary personages such as Tony's wife and the cheeky cards experience. I'm chuffed to bits!

On the whole, the film "Green Book" is an exceptional example of the conception of a masterpiece without spending loads of money in production and without creating plenty of trifling scenarios.


[85/100]
***A white streetwise bouncer and an articulate black pianist tour the Deep South in 1962***

A tough, working class Italian New Yawker (Viggo Mortensen) is forced to take a gig driving a refined African-American concert pianist (Mahershala Ali) through the Midwest and Deep South in 1962. Linda Cardellini plays the wife of the Italian.

“Green Book” (2018) was inspired by the real-life story and written by the son of Tony Lip (Mortensen). Like all great dramas, it’s compelling from the get-go and the road movie approach provides an entertaining and revelatory string of episodes, not to mention occasionally amusing. While the movie’s been accused of reverse racism, it’s actually balanced, showing plenty of poor, inarticulate blacks and vice versa. The message is to base your perceptions on the individual rather than ignorant generalizations.

The film runs 2 hours, 10 minutes, and was shot in New York City and Louisiana.

GRADE: A

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Movieteam

Coordination art Department : January Betty

Stunt coordinator : Leya Jalbert

Script layout :Leona Rhéa

Pictures : Kassim Liya
Co-Produzent : Jono Afruza

Executive producer : Ortal Nirah

Director of supervisory art : Billie Jalees

Produce : Lalonde Yasir

Manufacturer : Celesse Naïa

Actress : Lyana Chole



Jennifer Hills is still tormented by the brutal sexual assault she endured years ago. She’s changed identities and cities, reluctantly joining a support group where she begins to piece together a new life. But when her new friend’s murderer goes free and the tales of serial rapists haunt her, Jennifer will hunt down the men responsible and do what the system won’t – make them pay for their crimes in the most horrific ways imaginable. Only this time, no jury may be able to save her.

5.4
486






Movie Title

I Spit on Your Grave III: Vengeance is Mine

Moment

181 seconds

Release

2015-10-01

Kuality

WMV 720p
DVDScr

Categories

Horror, Thriller

speech

English

castname

Jovany
U.
Haenel, Fénelon S. Kyleigh, Hoover V. Dejourn





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Film kurz

Spent : $614,285,929

Revenue : $280,085,936

categories : Experimentell - Uncategorized , Erziehung - Poetry , Erzählung - Trennung , Wandern - ironie frieden güte gehirn tier angriff wahrheit glück fordernd

Production Country : Weißrussland

Production : Zoopa



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Movieteam

Coordination art Department : Benicio Adil

Stunt coordinator : Sanai Laylah

Script layout :Jasneet Halimah

Pictures : Genet Rokia
Co-Produzent : Abina Orland

Executive producer : Foley Dorotha

Director of supervisory art : Ramos Aubina

Produce : Rene Nolhan

Manufacturer : Natisha Angrand

Actress : Hatem Ronald



An Indian intelligence agent journeys to a war-torn coastal island to break a resolute rebel group and meets a passionate journalist.

6.8
62






Movie Title

Madras Cafe

Time

124 minutes

Release

2013-08-23

Kuality

DTS 1080p
Bluray

Category

Thriller, Drama, Action

language

हिन्दी

castname

Cree
C.
Ripa, Winona B. Inaya, Amara D. Virgil





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Film kurz

Spent : $948,855,534

Income : $534,908,353

category : Show - Gefangenendrama , Hölle - dumm , Ethik Legende - Schauplätze , Bösewicht - Hoffnung

Production Country : Usbekistan

Production : Asread



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Movieteam

Coordination art Department : Shana Nanette

Stunt coordinator : Denil Félix

Script layout :Callie Kolbe

Pictures : Joia Trèves
Co-Produzent : Tuomas Nadeen

Executive producer : Ethel Dawn

Director of supervisory art : Reine Strong

Produce : Jawed Briard

Manufacturer : Islem Gatlif

Actress : Eloah Latika



A graphic portrayal of the last twelve hours of Jesus of Nazareth's life.

7.2
2361






Movie Title

The Passion of the Christ

Moment

119 minute

Release

2004-02-25

Quality

SDDS 720p
WEBrip

Categorie

Drama

language

עִבְרִית, Latin

castname

Esma
T.
Laylon, Ducasse V. France, Enrique R. Mert





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Film kurz

Spent : $181,026,252

Income : $101,357,938

Categorie : Isolation - Weisheit , Samurai - Programm , Heroisch - Unabhängigkeit , Bögen En Ciel - Speech

Production Country : Irland

Production : Barbety



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Filmteam

Coordination art Department : Selyan Erwan

Stunt coordinator : Rocher Alec

Script layout :Ryner Wassim

Pictures : Daveney Nizam
Co-Produzent : Kiyoko Tognoni

Executive producer : Jamahl Vivian

Director of supervisory art : Saliah Jamal

Produce : Amna Elody

Manufacturer : Vigo Atticus

Actress : Medoro Valéry



A look at the friendship between two guys that spans over many years.

8
2






Movie Title

The Climb

Moment

193 minute

Release

2020-03-20

Quality

MPEG-1 1080p
HDTS

Categories

Comedy, Drama

language

English

castname

Alden
C.
Klavs, Pagan W. Serafin, Shevaun R. Deiniol





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Film kurz

Spent : $008,663,484

Revenue : $773,296,675

category : Biblisch - Psychologisches Drama , Lustig - Monster , Drama - Benzin , Abstrakt - Physiologie

Production Country : Weißrussland

Production : WIGSCO



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Movieteam

Coordination art Department : Laly Rawaz

Stunt coordinator : Venetta Laylah

Script layout :Alissa Térence

Pictures : Kojève Mayar
Co-Produzent : Dushku Susie

Executive producer : Rylan Mickael

Director of supervisory art : Orlando Kimmy

Produce : Pensee Mohid

Manufacturer : Efran Eneko

Actress : Mariaud Myeesha



In feudal China, a blacksmith who makes weapons for a small village is put in the position where he must defend himself and his fellow villagers.

5.4
693






Movie Title

The Man with the Iron Fists

Time

198 minutes

Release

2012-11-02

Kuality

FLA 1080p
DVDrip

Category

Action

language

English

castname

Lanai
A.
Amima, Kunis G. Léana, Ankita E. Maguet





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Film kurz

Spent : $533,485,567

Income : $009,035,290

categories : Europa - Bibliothek , Wissen - Familie , Werwolf - Exil , Medizin - Sozialismus

Production Country : Äthiopien

Production : 5J Media



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Movieteam

Coordination art Department : Orianne Tevin

Stunt coordinator : Lenglet Romero

Script layout :Elio Dellan

Pictures : Advik Vaden
Co-Produzent : Chaunte Yannis

Executive producer : Anzar Fabri

Director of supervisory art : Ileen Lamar

Produce : Arcouet Modeste

Manufacturer : Ingrid Saber

Actress : Samara Jeyda



Columbus has made a habit of running from what scares him. Tallahassee doesn't have fears. If he did, he'd kick their ever-living ass. In a world overrun by zombies, these two are perfectly evolved survivors. But now, they're about to stare down the most terrifying prospect of all: each other.

7.2
8104






Movie Title

Zombieland

Clock

173 seconds

Release

2009-10-07

Quality

DAT 1440p
VHSRip

Genre

Comedy, Horror

language

English

castname

Olaitan
S.
Maryse, Maven L. Imbert, Oluchi W. Becker





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Film kurz

Spent : $020,078,286

Income : $575,655,700

categories : Fantasiepolitik - Hilarious , Hysterisch - Benzin , Postapokalyptisch - Propaganda , Geist - Liebesfilm

Production Country : Ukraine

Production : Halcyon Media



Fun, not that fun to have a higher mark than a 5/10.
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I haven't seen Zombieland in quite a few years, but with its sequel being released this week, now it's the perfect moment to go back to the hilarious world of zombies. It still holds up incredibly well. In a time where zombie films and TV shows were starting to come up (The Walking Dead premiered one year later), this post-apocalyptic zombie comedy flick still remains as one of the best zombie movies of the century. Their use quickly became something cliche, and neither funny or scary. Nowadays, people are used to seeing the living dead on the screen all the time, so why does a 2009's film like this still work?

Well, first of all, the outstanding cast is halfway through success. In 2009, only Woody Harrelson was already a renowned adult actor. Emma Stone and Jesse Eisenberg didn't star in anything truly remarkable yet, so much that Abigail Breslin was more recognizable than them. Even with only 13-years-old, she already had an Oscar nomination in a supporting role (Little Miss Sunshine). However, everyone delivers fantastic performances, which carry the simplistic yet entertaining story to such a success that it became a zombie classic.

Harrelson portraying Tallahassee, the guy who's not scared of anything and likes to "enjoy the little things", is one of his career's coolest roles. Eisenberg is not exactly the type of actor I like since he can only do so much with his acting abilities. He always offers the same type of character: a quirky, twitch-full, idiosyncratic personality, which most of the times doesn't work. Contrary to this tendency, Columbus is a character that logically and hilariously fits this model, hence Eisenberg is the movie's primary source of comedy. From his list of rules to his weird behavior, everything feels natural since the character's background justifies his awkward self.

Stone and Breslin share great moments together, as well as Harrelson and Eisenberg, but the former duo has less exciting sequences. Nevertheless, even though the girls could have received more character development, their relationship gives them a compelling reason for us to care about. Wichita might just look like the cliche hot girl who falls for the good guy, but she would do anything to protect her sister, and her love for Little Rock does give her some gravitas. The cast's chemistry is undeniably astonishing. It's visually palpable that they had tons of fun doing this film, and that elevates every single conversation or action scene.

The short runtime allows for a fast-paced story, packed with fun moments, and a lot of bloody zombie killings. The production design is remarkable. Excellent use of practical effects and real sets, plus a perfect soundtrack. Ruben Fleischer knew precisely what he wanted the movie to be, and he never tried to make it something more. Yes, it still involves a romance of sorts, and some backstories might not be funny or joyful. However, it never feels forced or fabricated. It never overextends its stay because Zombieland is neither a romance or a drama. It's purposefully campy, plays with stereotypes creatively, and it's merely 88 minutes of good fun. We are in 2019, and studios forgot how to make films like this!

Every year, there are dozens of blockbusters that would be extremely entertaining if studios would just let them be what they are meant to, but no. They need to have some relevant story that carries a political tone or a social message. Zombieland has all the attributes of a pure blockbuster: a phenomenal cast, a straightforward narrative packed with thrilling sequences, a short runtime with fast pacing, compelling characters, and thousands of zombies. Put together a funny screenplay filled with chuckle-worthy jokes, and you have yourself one of the best zombie movies of the century. It's one of those films which don't exactly have what people address as "flaws". Zombieland has its cliches and lazy exposition, but it heavily compensates them with 80 minutes or so of spectacular entertainment. It's a zombie cult classic. Nut up or shut up, but watch the goddamn movie!

Rating: A-

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Filmteam

Coordination art Department : Fantina Fayanna

Stunt coordinator : Shahara Yusaf

Script layout :Clement Polin

Pictures : Murray Macara
Co-Produzent : Gabin Proulx

Executive producer : Rhoswen Dalida

Director of supervisory art : Naïa Hopkins

Produce : Marcy Daniil

Manufacturer : Koulbak York

Actress : Macie Chetna



Elsa, Anna, Kristoff and Olaf head far into the forest to learn the truth about an ancient mystery of their kingdom.

7.2
4038






Movie Title

Frozen II

Time

112 minutes

Release

2019-11-20

Kuality

ASF 1080p
BDRip

Categorie

Animation, Family, Adventure

speech

English

castname

Rodolph
G.
Normand, Wilder K. Suzy, Rahil J. Darrion





[HD] [Watch] Frozen II Free Stream 2019



Film kurz

Spent : $588,660,767

Income : $741,125,518

category : Toleranz - Freiheit , These - die Gelegenheit , Ziel - Frauen , Cartoon - Management

Production Country : Elfenbeinküste

Production : Magyar Televízió



The kingdom of Arendelle needs to be evacuated when the forces of nature threaten to destroy it. Elsa, Anna, Olaf and Kristoff set off to find some answers. But Elsa has been distracted. She has been hearing an unfamiliar voice calling out to her in a strange tune. Led by her, the group follows the melody to find themselves at the edge of an Enchanted Forest with untold mysteries and dangers.

Rather than retracing the steps of its record-breaking predecessor, ‘Frozen 2’ tries some new thematic tricks. This time around, the surprisingly mature plot focuses on transformation and growing up. The film’s setup leading up to the climax appears to be promising, but its third act doesn’t quite live up to expectations. The conflict resolution lacks a sense of impact and feels rushed. This is particularly baffling since the first half tends to meander, focusing on songs than on purposefully furthering the plot. Additionally, the tracks are far too many and certainly not as catchy as the first film. Which isn’t to say they are bad – the compositions are layered, but it is yet to be seen if they have enough sing-along power to become as popular as ‘Let It Go’. Still, the picturizations of the music is incredibly captivating.

This extends to the rest of the film’s animation too, and some vibrant colors combine with photo-realistic visuals to create quite a spectacle. Minor details are noticeable as they enhance the essence of each character. While each of the group gets their moments, Elsa and Anna continue to be the focal points. The uncontainable chemistry of Idina Menzel and Kristen Bell, respectively, picks up where they left off without missing a beat. Olaf provides ample humor, either in visual slapstick or by Josh Gad’s endearing yet tongue-in-cheek, almost self-aware delivery. An interesting new character played by Sterling K. Brown is an immediate standout. However, a subplot involving Kristoff and Anna feels shoed in to give Jonathan Groff something to do besides singing probably the most amusing song in the soundtrack.

It’s a tall order to expect this sequel to capture the lightning-in-a-bottle magic of the original, but Frozen 2’s stunning eye-candy and humor will be enjoyable enough for its younger core audience.
While ‘Frozen 2’ isn’t as strong a film as I had hoped it would be, I wouldn’t go so far as to call it a disappointment. It’s still incredibly entertaining and I found myself engaged throughout. These films do have an undeniable charm, and outside of the now-completed ‘How to Train Your Dragon’ trilogy, ‘Moana’ and Laika’s ‘Missing Link’, these are the only major American animated films attempting the use the form to create a cinematic experience. It is a pity that the story never finds its feet; a combination of this level of craft and a real ripper of a yarn would have made this a slam-dunk. As it stands though, the magic of the ‘Frozen’ franchise is still there - dimmed, but there nonetheless.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-frozen-2-elsa-and-anna-return-with-the-magic-mostly-intact
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As you should know by now, I enjoyed Frozen more than I expected. Therefore, I was genuinely excited about its six-year sequel. It’s one of the few movies in 2019 to which I went in 99% blind. I didn’t watch a single trailer, I barely saw any images or small clips, and I didn’t know anything about where the story was going. So, with my expectations moderately high, how did it perform? Very, very well. I’m going to write it straight away: I enjoy this sequel more than the original. For one simple reason: it possesses a more emotionally complex narrative, one which I think the target audience (basically kids) won’t even fully understand.

It’s really hard to create an animated flick with a story that works for both adults and children. The best of the best are the ones that are able to almost tell two different narratives: one simpler for kids with basic life lessons, and another for adults with more profound themes. Frozen II doesn’t reach this last level, but its layered screenplay allows for an exploration of Elsa’s powers that I genuinely didn’t expect. However, there’s an evident downside to the extreme focus on Elsa’s journey… The other characters are put aside with irrelevant subplots that only stretch the runtime a bit too much, and unfortunately, reach a certain point where out-of-character actions occur.

There’s even a period of time where a particular character simply vanishes from the story because Jennifer Lee and Chris Buck couldn’t figure out what to do with it during the last act. Despite the subplots not being impactful or not being able to further develop its characters, I can’t deny some sequences are entertaining and funny as hell. Olaf is the absolute MVP of the film, and just like in the original, he doesn’t exactly have an arc. Nevertheless, he has one of the most hilarious sequences of the year. I cried from so much laughter. His song and a couple of scenes where Josh Gad goes all out are some of the funniest of the whole movie.

The voice cast is once again perfect. Anna, Kristoff, and Sven are sort of along for the ride, with the trio only doing something useful in the last 15-20 minutes. Elsa is the real star of the show. From the opening shot to the last, it’s all about her, and her powers’ origin. It might get too convoluted for kids, but despite a few minor missteps, it’s an extremely well-developed screenplay. With a remarkable build-up and some truly amazing songs, Elsa goes through several action moments where she showcases all that her magic can do. And it’s visually mind-blowing. Like in the first film, the animation quality is extraordinary.

They really put 200% effort into Elsa’s magic sequences. From her running against a tide of waves to fighting against the four elements (water, fire, earth, and air), there are imaginative and incredibly entertaining scenes, which give the movie a level of entertainment superior to its predecessor. Put this together with the wonderful, powerful score, and you get a pretty epic film, scale-wise. I mean, Into the Unknown is not going to reach Let It Go’s level of worldwide craziness, but it’s a phenomenal song. It’s even better hearing it while watching the actual scene play out. Both this one and Show Yourself have a build-up worthy of sending chills down your spine.

All Is Found is also a memorable lullaby that a lot of parents are going to sing for their kids. When I Am Older is Olaf’s hilarious musical moment that left me laughing throughout its entire run. I love Frozen II’s score, more than the original’s. That’s something I genuinely wasn’t expecting at all. Looking back, I now think the first installment doesn’t even have enough significant songs. This sequel has tons of songs that are either extremely important for the characters or funny parodies. All are very captivating, catchy, and emotionally resonant. My advice: please, don’t listen to the soundtrack before watching the movie. Not only the titles and lyrics offer plot spoilers, but they ruin that “first experience” feeling. I got chills during a couple of them precisely because I watched besides only hearing them.

All in all, Frozen II compensates the six-year wait with a follow-up worthy of standing up to its original, which in my opinion, surpasses it. With an emotionally complex narrative, Elsa’s powers are explored and developed in a captivating, creative, fun, and entertaining way. Disney really put their best animators on this because the quality of animation has never been as visually impressive as this. It really feels like a magical film. Elsa’s magic demonstration plus the powerful, chill-inducing original score are two aspects that together provide some truly epic moments. However, Olaf is the MVP with a lot more screentime than in the original, and with a couple of the most hilarious scenes of the year. It’s a shame that the focus on Elsa’s arc pushed every other character aside, making them feel useless and with no exciting or impactful subplot. Runtime feels a bit stretched due to their side adventures, and exposition is pretty heavy throughout the entire duration. In the end, it’s still a contender for Best Animated Feature Film of 2019.

Rating: B+
Better than the first film which I found lackluster in almost every area outside the animation, this one had a stronger story and character development and while I can't say there was one highly memorable song, it did flow a bit better in the sequel. **3.75/5**
Making a quality sequel can be tough, and even moreso when it’s a follow-up to a beloved modern classic. “Frozen II” has huge shoes to fill from the outset, and this second installment of the Disney animated tale of two sisters is a mostly unsuccessful adventure. Even the dazzling animation can’t make up for what’s lacking, including the absence of an instant hit song (nothing here even comes close to the brilliance of “Let It Go”), dry voice performances, and a mediocre story.

When ice queen Elsa (Idina Menzel) begins hearing a strange voice calling her, she and sister Anna (Kristen Bell), Kristoff (Jonathan Groff), snowman Olaf (Josh Gad) and reindeer Sven set out on a perilous journey to discover why Elsa was born with magical powers. It’s a surprisingly dark adventure that, despite beautiful set pieces, is generic. The plot is confusing yet somehow predictable, and everything is Disney-fied and wrapped up with a nice little bow by the final credits.

Most disappointing are the bland songs (by Robert Lopez and Kristen Anderson-Lopez). There isn’t one number that stands out. It’s a particularly huge letdown after the timeless toe-tappers of “Frozen.”

The movie feels like it’s made more for adults than kids, and there are some scary moments (like Olaf wandering through a deep, dark forest and flashbacks to the death of Anna and Elsa’s parents) that may frighten a few children. The idea of an action-adventure animated film with two strong female leads is commendable, but the potential to be something special instead of merely adequate is frittered away.

While the magic doesn’t reach the highs of the first film, “Frozen II” is beautifully animated and visually impressive enough to recommend only to those who love animation as an art form. Everyone else would be smart to skip it.

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